Let’s get one thing straight – the Nikon 14-24mm f/2.8G is one big, fat, heavy and inconvenient lens! Nikon 14-24mm f/2.8G | Copyright The Gehrmanns With over 170 raving customer reviews for this lens on Amazon, if you’re looking for an ultra-wide angle lens for your DX format Nikon dSLR, the Nikon 10-24mm f/3.5-4.5 really is hard to beat.
The focal range in my opinion is more useful than 11-16 (which seems a little short), plus the Nikon is sharper wide open, and becomes even sharper when stopped down to f/5.6-8. However, I still stick to my recommendation of the Nikon 10-24mm f/3.5-4.5 on this best wide angle lens roundup.
If you’re going to go ultra-wide, you may as well get the widest version, especially on a DX camera which is already reducing the ‘wideness’.Īn alternative for a little less money is the excellent Tokina 11-16mm f/2.8 Pro DX II, which is actually better built (not to mention faster) than the Nikon. There’s also a Nikon 12-24mm wide angle lens which is a similar weight/price, but I’d still recommend the Nikon 10-24mm f/3.5-4.5. Also, having it made out of plastic reduces its weight considerably… not to mention its price. However, as long as you look after the lens, it’ll still last a long time. The Nikon 10-24mm f/3.5-4.5 feels a little plasticky compared to some of the more expensive wide angle lenses in this review. One click of the ‘Enable Profile Corrections’ button in Lightroom and the rest of the distortion is usually fixed too. Lens distortion is actually corrected to some extent in all modern Nikon dSLR cameras, so what you’ll be viewing in your photos is actually an image with the correction applied. As long as you don’t place straight lines near the edges of your frame or focus too close to your subject, you can still get an image that doesn’t look warped. Obviously with a lens this wide, you’ll need to expect a fair bit of barrel distortion at 10mm. The Nikon 10-24mm f/3.5-4.5 is sharp and focuses quickly. Once you’ve been using 24mm for a while, it doesn’t seem so wide angle any more, so it’s nice to be able to twist the lens and turn your viewpoint to 10mm, bringing in the entire vista in front of you. In practice on a Nikon D7200, I found the 10-24mm focal length very useful for wide angle photography. The Nikon 10-24mm f/3.5-4.5 offers a dramatic 61-110 degree picture angle, making it the perfect wide angle lens for landscape photography, interior photography, architecture photography and more.Īs long as you place your subject wisely, you can even use the Nikon 10-24mm f/3.5-4.5 for dramatic environmental portraiture with no distortion. This is quite simply the best ultra wide angle zoom lens for Nikon DX cameras.
It’s bright, sharp and contrasty at every aperture from edge to edge, with minimal distortion.Ĭombining the large aperture with the 24mm focal length allows you to shoot hand held at much slower shutter speeds than you may be used to, meaning you have the option to drop the ISO for a cleaner file.įocal Length: 10-24mm (15-36mm equivalent)
However, it’s on a full frame Nikon body that the Nikon 24mm f/1.4G really sings.
If you own a consumer level Nikon DX camera and are planning to upgrade to a full frame body in the future, the Nikon 24mm f/1.4G could be a worthwhile investment. The Nikon 24mm f/1.4G works fine on a DX (crop sensor) Nikon camera, where it’s focal length is roughly 36mm.
It’s most definitely the best Nikon wide angle lens for prime shooters, and has been since its release in 2010. It’s big… it’s heavy… it’s expensive… but the Nikon 24mm f/1.4G is also often touted as the world’s best wide angle lens. I fully appreciate that full frame cameras aren’t available or even necessary for a large portion of Shotkit’s readers which is why I’ve included a handful of good wide angle lens options for anyone shooting with a crop sensor camera.Īlso, check this article out if you’re wondering why wide angle lenses command a relatively high price compared to regular lenses, and this article for more on focal lengths in particular. This means that for those of you shooting with APS-C, MFT or any other crop sensor camera, you’ll need to experiment with much wider focal lengths to achieve a true wide angle lens look to your shots. it would no longer be considered a wide angle lens.
It should also be noted that the difference in your camera’s sensor size will affect any given lens’s actual focal length.Ī 35mm lens on a full frame camera (one with a 35mm sensor) will offer a true 35mm field of view, whereas the same lens attached to a crop sensor camera (APS-C, MFT) would offer an approximate 50mm field of view i.e. That’s right – even the hugely popular 35mm lens you leave on your camera 90% of the time is considered a wide angle lens.įrom 24mm and wider, we’re entering ultra-wide angle lens territory. On a full frame camera, a wide angle lens is considered any focal length equal to or wider than 35mm. Nikon D700 + Nikon 16-35mm f/2.8 | by SpaceX